Dearest Readers,
Remember me? I used to write reviews here all the time! I used to read 50 books a year! I used to have all sorts of passionate things to say about fantasy literature, both good and bad!
But then a mean, mean man named Pat Rothfuss came along. After a long and painful 3 year wait, he released the second book in a trilogy of his; a trilogy called the Kingkiller Chronicle. Knowing that this excellent novel would soon be in my hands, I re-read the first novel in the series. This was no mean feat, as it clocks in near 1000 pages. Then I worked my way greedily through the newest installment, The Wise Man's Fear, also quite lengthy. I laughed, I cried, I yelled, and I did nothing but read for over a week. When I finished it, I turned it over and started reading it again.
"But Lisa," you may ask, "How could such a wonderful experience possible ruin you in any way?"
Here's how, gentle readers: nothing else is good enough anymore. I've tried all of my tricks for getting out of a "reading rut" and nothing seems to work.
I've tried a little low quality smut (Two! Freaking TWO Laurell K. Hamilton books). Usually if I read something throw-away it will clear out my system and make me excited to get back to "the good stuff". But no. This time it just made me angry that such utter crap could exist and be making money when shining paragons of perfection like Wise Man's Fear exist.
I've tried reading fantasy at the opposite end of the spectrum. Surely some nice gritty, bloody, cursing-filled Joe Abercrombie would reset my fantastical moral compass? I made it to the last 80 pages of The Heroes and then I completely ran out of steam. I couldn't force myself to continue reading anything that engaged me emotionally so little. The characters were real, but they weren't lovable... and once you have loved Bast and Kvothe, how can you care about anyone less worthy?
I've tried some non-modern fantasy, in a sub-genre I've never touched before: The Crystal Cave by Mary Stewart is a 40-year-old novel in the lore of King Arthur and Merlin. Vastly different from almost any fantasy I've read - and still it neither moved me nor engaged me.
I've tried young adult novels, knowing they will be middle of the road, but maybe guide me back towards a good mindset (Lirael by Garth Nix). I've tried short novellas by my favorite authors set in my favorite universes (Bayan's Gold by Peter V. Brett). I've tried new, exciting looking titles (The Scar-crow Men, Never Knew Another) - nothing seems to work.
I was roused from my malaise for approximately 4 hours while I read Steve Brust's latest Vald novel, Tiassa. It is utterly unthinkable that I'd not respond to the literary voice of my favorite historian (One Paarfi). I cackled through Tiassa with utter delight; enraptured, thrilled, engaged, and happier than I had been in months. But then, 4 hours later, Tiassa was over. I started to re-read it, as well, but eventually set it aside as a futile effort: I am doomed to be forever ruined on fantasy novels.
2 months later, I'm still mournfully gazing at my stack, wondering what possibly could shake me out of this literary depression into which I've sunk. I'm looking at Daniel Abraham's newest novel, The Dragon Path... perhaps he will succeed where a solid 10 other books have failed.
Woefully yours,
Lisa the Reviewer, Forever Ruined by Rothfuss
Showing posts with label high fantasy. Show all posts
Showing posts with label high fantasy. Show all posts
Wednesday, April 27, 2011
Wednesday, August 04, 2010
[Lisa's Take] The Stormlight Archive Book 1 - The Way of Kings ARC (Brandon Sanderson)
First and foremost, a plug! If you live in the Atlanta area, go check out Blue Elephant Bookshop in Decatur. They have a lovely little shop filled with a labyrinth of shelves, friendly book-geek employees, and an excellent fantasy section, especially for a smaller indie store. Plus, you’ll be in Decatur, which means you can stop and stuff yourself full of excellent food and drinks at Brickstore or Iberian Pig.
Now, why exactly am I plugging a little Decatur bookshop? You see: for reasons entirely unfathomable to me, a friend to one of my best friends decided she loves me far too much. I can tell because she works at Blue Elephant, and they received a stack of ARCs for The Way of Kings from the publisher. And friend-of-a-friend (who has now replaced best-friend in my affections – sorry, Christin!) decided to let me have one. Just over 1000 pages of unedited Sanderson-ey goodness, 2 months before the book release date. I don’t deserve such love.
*cough* Right, ok, I’m done effusing for real this time – on to the review!
Um. Wow. Where do I even begin? Sanderson has really outdone himself this time – according to his blog is has a whole pile of books to write in this series, and I am 100% thrilled by this news. Perhaps the most astounding thing about the ARC is that Sanderson tweeted his revisions (going from the ARC to the final product), and was cutting 10%-20% of each chapter, which is just unfathomable to me. Sure, there were times when he waxed verbose, but it certainly didn’t seem like the prose needed tightening up much. I’m very much looking forward to a re-read of the final draft. Either way, Sanderson has a ton of story to tell, and I am incredibly excited about it.
Goodness, I’m tangenting all over the place today: reign it in, Lisa!
The Way of Kings is everything you would expect from a Sanderson novel. There are 3 main viewpoints and perhaps 3 or 4 more supporting viewpoints, much like Elantris or Warbreaker. All of the viewpoint characters are nuanced, deep, and interesting. I really appreciated the variety of ages, backgrounds, and opinions the characters held – it was really nice not to have to follow 3 teenage urchins, or 3 noble but sheltered young women. All of the literary voices were distinct and exciting; only one viewpoint dragged at all for me (impressive in a book this long!) and even then not for long. Perhaps most impressively: Sanderson managed to create characters that bucked the standard fantasy tropes without falling off the other side, back into “your character is hackneyed, you’re trying too hard.”
Speaking of characters, the world that Sanderson has created for this book is practically a character in itself. I don’t even know how he comes up with so many ideas; the world is incredibly rich and intriguing. He investigates the country in which most of the action takes place very thoroughly, but you also get glimpses of other countries and parts of the world – tantalizing little tastes that reveal just how much story Sanderson has to tell. I also loved the sprinkling of maps and drawings that were included, it was fun to see how close my mental pictures were to what Sanderson and the illustrator had in mind.
As always, Sanderson is amazing at describing fight scenes, and he has way too much fun playing with physics. If you’ve seen Inception (the only movie I’ve seen in theaters since Christmas…) you have an idea of just how awesome fights with variable gravity can be. Sanderson has a very similar mechanism in The Way of Kings; we only get a small taste of it in this book, but it is incredibly cool. Sanderson is always great at character building and action, but one thing he also got me with in this book was suspense. He really managed to get me keyed up and on edge a couple of times… and he did so skillfully enough that I’ll overlook the fact that he kind of ganked the device from the Doctor Who episode “Blink.”
Phew. This is getting long – I should wrap up. In case you couldn’t tell, The Way of Kings pretty much rocked my face off. It was incredibly good and amazingly diverse; now that I’m finished with it I keep finding myself thinking “oooo, I’m going to read some Way of Kings! Oh, wait, it’s over, nooooo!” Perhaps the most impressive thing about the book is not Sanderson’s characters, world, or magic systems, but this: when you finish Way of Kings, you realize that all of that plot, all of that character development, all of that world building…. was still just set-up for book 2 and the rest of the series. It’s probably not fair for a setup book to be this freaking awesome.
Now, why exactly am I plugging a little Decatur bookshop? You see: for reasons entirely unfathomable to me, a friend to one of my best friends decided she loves me far too much. I can tell because she works at Blue Elephant, and they received a stack of ARCs for The Way of Kings from the publisher. And friend-of-a-friend (who has now replaced best-friend in my affections – sorry, Christin!) decided to let me have one. Just over 1000 pages of unedited Sanderson-ey goodness, 2 months before the book release date. I don’t deserve such love.
*cough* Right, ok, I’m done effusing for real this time – on to the review!
Um. Wow. Where do I even begin? Sanderson has really outdone himself this time – according to his blog is has a whole pile of books to write in this series, and I am 100% thrilled by this news. Perhaps the most astounding thing about the ARC is that Sanderson tweeted his revisions (going from the ARC to the final product), and was cutting 10%-20% of each chapter, which is just unfathomable to me. Sure, there were times when he waxed verbose, but it certainly didn’t seem like the prose needed tightening up much. I’m very much looking forward to a re-read of the final draft. Either way, Sanderson has a ton of story to tell, and I am incredibly excited about it.
Goodness, I’m tangenting all over the place today: reign it in, Lisa!
The Way of Kings is everything you would expect from a Sanderson novel. There are 3 main viewpoints and perhaps 3 or 4 more supporting viewpoints, much like Elantris or Warbreaker. All of the viewpoint characters are nuanced, deep, and interesting. I really appreciated the variety of ages, backgrounds, and opinions the characters held – it was really nice not to have to follow 3 teenage urchins, or 3 noble but sheltered young women. All of the literary voices were distinct and exciting; only one viewpoint dragged at all for me (impressive in a book this long!) and even then not for long. Perhaps most impressively: Sanderson managed to create characters that bucked the standard fantasy tropes without falling off the other side, back into “your character is hackneyed, you’re trying too hard.”
Speaking of characters, the world that Sanderson has created for this book is practically a character in itself. I don’t even know how he comes up with so many ideas; the world is incredibly rich and intriguing. He investigates the country in which most of the action takes place very thoroughly, but you also get glimpses of other countries and parts of the world – tantalizing little tastes that reveal just how much story Sanderson has to tell. I also loved the sprinkling of maps and drawings that were included, it was fun to see how close my mental pictures were to what Sanderson and the illustrator had in mind.
As always, Sanderson is amazing at describing fight scenes, and he has way too much fun playing with physics. If you’ve seen Inception (the only movie I’ve seen in theaters since Christmas…) you have an idea of just how awesome fights with variable gravity can be. Sanderson has a very similar mechanism in The Way of Kings; we only get a small taste of it in this book, but it is incredibly cool. Sanderson is always great at character building and action, but one thing he also got me with in this book was suspense. He really managed to get me keyed up and on edge a couple of times… and he did so skillfully enough that I’ll overlook the fact that he kind of ganked the device from the Doctor Who episode “Blink.”
Phew. This is getting long – I should wrap up. In case you couldn’t tell, The Way of Kings pretty much rocked my face off. It was incredibly good and amazingly diverse; now that I’m finished with it I keep finding myself thinking “oooo, I’m going to read some Way of Kings! Oh, wait, it’s over, nooooo!” Perhaps the most impressive thing about the book is not Sanderson’s characters, world, or magic systems, but this: when you finish Way of Kings, you realize that all of that plot, all of that character development, all of that world building…. was still just set-up for book 2 and the rest of the series. It’s probably not fair for a setup book to be this freaking awesome.
Friday, April 09, 2010
[Spring Cleaning][Lisa's Take] Kushiel's Legacy Series (Jacqueline Carey)
[Reviewer's Note: want to know just how bad I am about leaving partially-finished reviews sitting around? Here's a review I started over 4 years ago. I'm presenting it with no changes (and resisting the urge to comment at length). My only disclaimer is: yes, this is a very, very old and incomplete review.]
Kushiel’s Dart
It took me somewhere in the range of 2 and a half years to read this book. The first time I tried I made it a little over two hundred pages before I decided it was trite and dull, so I put it down. Buuut… then lots of people whose opinions I trust started saying how great and amazing it was. For quite a while I ignored them entirely, but eventually I was looking for a nice epic read, so I decided to give Kushiel a second chance. So I started over from the beginning… and as it turns out, I stopped within 10 pages of the plot thickening and the book actually getting good. Go figure.
This book is the first in a trilogy that follows Phedre no Delauny, a girl who has been marked by the god of punishment. Called an Anguisette, she is cursed to find pleasure in the taking of pain. Kushiel’s dart follows her through childhood and her training in the arts of espionage, and then (once the plot –finally- thickens) out into the wide world as she struggles to return home and foil a plot to overthrow the ruling powers in her home land of Terre d’Ange.
What originally turned me off about these books is that Carey relies heavily on the catch of the Anguisette to carry (no pun intended) her through the first half of the book. Until she proved to me that there was a lot more to the novel than what came across as a fairly trite twist on “life of a god-touched individual” I was a skeptic. Eventually though, she really hit her stride and the book opened up to be truly epic. The history and theology of Terre d’Ange may well be the most interesting and intriguing of any epic fantasy that I’ve had the pleasure (or pain) of reading.
Once I finally got around to giving Kushiel’s Dart a second chance, I ate through all thousand pages in perhaps a week and a half. It was just that tasty. Then I went on to read each of her next 3 books in rapid succession – so on to the next review!
Kushiel’s Chosen
The first thing I noticed when I started when this second installment in the Kusheline Trilogy began is that the map in the front of the book was zoomed out by a few levels. My first thought was “what? It can get more epic than the first?” and my second thought was “Hah, that’s totally Europe. I didn’t realize she ripped off Europe!” …but really the second thought is sort of peripheral. I was just entertained.
ANYway, Kushiel’s Chosen opens with Phedre resolving to track down and bring to justice the participant at the heart of the thrown-overthrowing-plot from the first book. Have I mentioned that this summary is exceptionally hard to write without spoilers? Phedre sets out with the aid of her Perfect Companion to follow a set of rumors surrounding said perpetrator. Of course, the plotting goes deeper than anyone could have guessed and when the pieces of the puzzle start to come together we end up with political intrigue, imprisonment on an island dungeon, kidnapping by pirates, and all sorts of other excitement.
Much like the map, the plot in this book takes a step out to be even more expansive and impressive. Where the first book examined Terre d’Ange’s history and theology, this second book studies the nature of love and betrayal. Yet again I was caught up and powered through this epic in a week or so – and it was oh so worth it.
Absolutely excellent.
Kushiel’s Avatar
Gyeh. Here I thought writing a plot summary one-book-removed was difficult… how do I summarize two books removed without being horribly spoileriffic?
Kushiel’s Dart
It took me somewhere in the range of 2 and a half years to read this book. The first time I tried I made it a little over two hundred pages before I decided it was trite and dull, so I put it down. Buuut… then lots of people whose opinions I trust started saying how great and amazing it was. For quite a while I ignored them entirely, but eventually I was looking for a nice epic read, so I decided to give Kushiel a second chance. So I started over from the beginning… and as it turns out, I stopped within 10 pages of the plot thickening and the book actually getting good. Go figure.
This book is the first in a trilogy that follows Phedre no Delauny, a girl who has been marked by the god of punishment. Called an Anguisette, she is cursed to find pleasure in the taking of pain. Kushiel’s dart follows her through childhood and her training in the arts of espionage, and then (once the plot –finally- thickens) out into the wide world as she struggles to return home and foil a plot to overthrow the ruling powers in her home land of Terre d’Ange.
What originally turned me off about these books is that Carey relies heavily on the catch of the Anguisette to carry (no pun intended) her through the first half of the book. Until she proved to me that there was a lot more to the novel than what came across as a fairly trite twist on “life of a god-touched individual” I was a skeptic. Eventually though, she really hit her stride and the book opened up to be truly epic. The history and theology of Terre d’Ange may well be the most interesting and intriguing of any epic fantasy that I’ve had the pleasure (or pain) of reading.
Once I finally got around to giving Kushiel’s Dart a second chance, I ate through all thousand pages in perhaps a week and a half. It was just that tasty. Then I went on to read each of her next 3 books in rapid succession – so on to the next review!
Kushiel’s Chosen
The first thing I noticed when I started when this second installment in the Kusheline Trilogy began is that the map in the front of the book was zoomed out by a few levels. My first thought was “what? It can get more epic than the first?” and my second thought was “Hah, that’s totally Europe. I didn’t realize she ripped off Europe!” …but really the second thought is sort of peripheral. I was just entertained.
ANYway, Kushiel’s Chosen opens with Phedre resolving to track down and bring to justice the participant at the heart of the thrown-overthrowing-plot from the first book. Have I mentioned that this summary is exceptionally hard to write without spoilers? Phedre sets out with the aid of her Perfect Companion to follow a set of rumors surrounding said perpetrator. Of course, the plotting goes deeper than anyone could have guessed and when the pieces of the puzzle start to come together we end up with political intrigue, imprisonment on an island dungeon, kidnapping by pirates, and all sorts of other excitement.
Much like the map, the plot in this book takes a step out to be even more expansive and impressive. Where the first book examined Terre d’Ange’s history and theology, this second book studies the nature of love and betrayal. Yet again I was caught up and powered through this epic in a week or so – and it was oh so worth it.
Absolutely excellent.
Kushiel’s Avatar
Gyeh. Here I thought writing a plot summary one-book-removed was difficult… how do I summarize two books removed without being horribly spoileriffic?
Monday, January 11, 2010
[Lisa’s Take] The Fionvar Tapestry (Guy Gavriel Kay)
Three books make up the Fionvar Tapestry: The Summer Tree, The Wandering Fire, and The Darkest Road. Usually I don’t read books in trilogies back-to-back-to-back these days, but the three Fionvar books were engaging enough to keep me reading. That said, I was a little burnt out by the second half of the last book so I was pretty happy to be done with everything. Next time remind me to take breaks between the books, if you please.
Anyway, the Fionvar Tapestry is straight up fantasy – 5 college-age students get transported to a fantastic world called Fionvar. They get caught up in the fight to save the people from a dark force that has awakened. Pretty standard fantasy trope.
Things I liked: I think my favorite thing about these books is that none of the characters really know what they’re doing, or what they need to do. When magic calls to them they often just go with it without really stopping to think things through… and often there are catastrophic results. The characters aren’t at all Mary-Sue-ish. They make lots of mistakes, they aren’t always likable, and they’re very real. As always, Kay does relationships, love, life, and death very well. The world was very believable and well developed – the races and magical systems were interesting, original, and varied.
Things I didn’t like: these three books were filled with things that I know Kay can do amazingly… but in this instance only did ok. The deaths didn’t quite make me hurt, the emotional connections didn’t quite make me grin. It’s frustrating to know the author is so capable of hitting the mark, but missed by half an inch this time. The death of one of the main characters during book 2 was particularly poorly done – the event was obviously supposed to have a monumental impact, but the character wasn’t solid enough by that point for me to care much. I also wasn’t a huge fan of the Arthurian Legend tie-ins… it felt a little like cheating.
Now, all of that said – the Fionvar Tapestry is still a significant cut above most other high fantasy out there. I’m holding it to an unfair standard by comparing it to Tigana, which is the best Strictly Fantasy book I’ve read in years. It’s also hardly fair of me to say “I know Kay can do better” when he wrote the Fionvar Tapestry much earlier than some of his later great works.
I’m not really sure what my bottom line is here. The Fionvar Tapestry is good, but not great. If you’re only ever going to read one or two books by Guy Gavriel Kay, skip these… or if these are your first Kay, don’t let them set a tone for all of his work, because goodness knows a lot of his later books are amazingly good. If you’re looking for some good, solid fantasy, the Fionvar Tapestry is probably worth reading… just give yourself some breathing room between them.
Anyway, the Fionvar Tapestry is straight up fantasy – 5 college-age students get transported to a fantastic world called Fionvar. They get caught up in the fight to save the people from a dark force that has awakened. Pretty standard fantasy trope.
Things I liked: I think my favorite thing about these books is that none of the characters really know what they’re doing, or what they need to do. When magic calls to them they often just go with it without really stopping to think things through… and often there are catastrophic results. The characters aren’t at all Mary-Sue-ish. They make lots of mistakes, they aren’t always likable, and they’re very real. As always, Kay does relationships, love, life, and death very well. The world was very believable and well developed – the races and magical systems were interesting, original, and varied.
Things I didn’t like: these three books were filled with things that I know Kay can do amazingly… but in this instance only did ok. The deaths didn’t quite make me hurt, the emotional connections didn’t quite make me grin. It’s frustrating to know the author is so capable of hitting the mark, but missed by half an inch this time. The death of one of the main characters during book 2 was particularly poorly done – the event was obviously supposed to have a monumental impact, but the character wasn’t solid enough by that point for me to care much. I also wasn’t a huge fan of the Arthurian Legend tie-ins… it felt a little like cheating.
Now, all of that said – the Fionvar Tapestry is still a significant cut above most other high fantasy out there. I’m holding it to an unfair standard by comparing it to Tigana, which is the best Strictly Fantasy book I’ve read in years. It’s also hardly fair of me to say “I know Kay can do better” when he wrote the Fionvar Tapestry much earlier than some of his later great works.
I’m not really sure what my bottom line is here. The Fionvar Tapestry is good, but not great. If you’re only ever going to read one or two books by Guy Gavriel Kay, skip these… or if these are your first Kay, don’t let them set a tone for all of his work, because goodness knows a lot of his later books are amazingly good. If you’re looking for some good, solid fantasy, the Fionvar Tapestry is probably worth reading… just give yourself some breathing room between them.
Wednesday, March 11, 2009
[Lisa’s Take] Last Watch (Sergei Lukyanenko)
I kind of never thought this book would come out in the US. After all of the drama with the movie side of things, and after the release date getting pushed back so many times, I had pretty much given up hope on ever getting to read the final book in the Night Watch series. I was down about it, but more or less resigned to my fate.
So you can imagine the sound I made when I saw Last Watch on the shelf – or rather the string of excited curses that were entirely inappropriate for a quiet little bookstore, but that escaped before I could contain myself. This was the 3rd fantasy release in a week that caught me totally off guard, and definitely the most thrilling of the 3.
It occurs to me that many people might not be familiar with this little gem of the fantasy, so let me explain a bit. The Night Watch quartet is a series of books by Russian fantasy author Sergei Lukyanenko. They qualify for my mental niche of “massively multi-genre fantasy.” The books are set in modern day Russia, so they have a dash of “urban fantasy.” The books are built on the premise that in addition to humans, there are people who are called Others who have other-worldly powers. These Others fall into two factions – Light Others and Dark Others. The Light Ones have the powers that we usually equate with high fantasy – witches, prescience, healing, spell casters. The Dark Ones have powers from the “fantasy horror” end of the spectrum – vampires, werewolves, dark wizards. A truce was made between the Light and Dark to prevent them from warring each other into oblivion, and the Night Watch was set up as a coalition of Light Ones to watch over and monitor the Dark Ones, while the Day Watch was set up as a coalition of Dark Ones to monitor the Light Ones. Maintaining the balance of power is paramount, and the main character spends a lot of time playing a political balancing game while philosophizing about the nature of good and evil. Add that dash of political fantasy and philosophy, and you have a book series that touches on practically every fantasy sub-genre there is.
The books garnered enough claim in Russia to inspire a movie that smashed all sorts of nation-wide box office records. In 2004 the movie was subtitled for an English audience (with awesomely engaging text, I might add – lots of interesting after-effects and interplay with the on-screen action). It was pretty well received, though it never saw more than a limited release in independent theaters. The film did well enough to secure the US-release of the second movie, Day Watch, which also gained the attention of Fox Searchlight. Good old Fox secured the rights to the 3rd movie and promptly ditched most of the original cast and ran the project into the ground.
Luckily, the movies did well enough to inspire Miramax to pick up the novels, translate, and publish them in the US. I loved the movies for their somewhat bizarre, abrasive, but engaging approach to dark fantasy, and I especially loved their take on magic. As such, when I saw the books on the shelves I picked them up right away. I never got around to writing full reviews for any of the books in the series, but I figured that I should at least highlight them in this blog as I finished up the final installment.
I really can’t say enough good about the Night Watch books – they are an incredibly fresh breath of air amidst all of the ho-hum, been-there-done-that fantasy on the market these days. They make me wish that the US saw more foreign translations, because it’s just a marvelous experience. The premise of the series at first glance seems a little “comic bookish” (not to disparage any of the excellent graphic novels out there) but the deep characterizations and human aspects of the main characters, as well as the keen examination of “good” and “bad” really elevates the whole shebang to a higher level. For all their depth the books still read incredibly quickly, but manage to be both emotionally engaging and have a dash of self-aware humor that keeps it interesting. All four books are great, but I will say that Last Watch was the strongest, and finished off the series on a high note for me.
Well, this has gotten longer than I expected, so I’ll wrap it up. Procure these books. Read them all in a long weekend. They’re so very worth it, and a great change from the established fantasy norm in the US. Also, if you happen to read them without seeing the movies first, I’d love to hear your feedback, as I’m not sure how much my prior exposure to the films influenced my opinions. Happy reading!
So you can imagine the sound I made when I saw Last Watch on the shelf – or rather the string of excited curses that were entirely inappropriate for a quiet little bookstore, but that escaped before I could contain myself. This was the 3rd fantasy release in a week that caught me totally off guard, and definitely the most thrilling of the 3.
It occurs to me that many people might not be familiar with this little gem of the fantasy, so let me explain a bit. The Night Watch quartet is a series of books by Russian fantasy author Sergei Lukyanenko. They qualify for my mental niche of “massively multi-genre fantasy.” The books are set in modern day Russia, so they have a dash of “urban fantasy.” The books are built on the premise that in addition to humans, there are people who are called Others who have other-worldly powers. These Others fall into two factions – Light Others and Dark Others. The Light Ones have the powers that we usually equate with high fantasy – witches, prescience, healing, spell casters. The Dark Ones have powers from the “fantasy horror” end of the spectrum – vampires, werewolves, dark wizards. A truce was made between the Light and Dark to prevent them from warring each other into oblivion, and the Night Watch was set up as a coalition of Light Ones to watch over and monitor the Dark Ones, while the Day Watch was set up as a coalition of Dark Ones to monitor the Light Ones. Maintaining the balance of power is paramount, and the main character spends a lot of time playing a political balancing game while philosophizing about the nature of good and evil. Add that dash of political fantasy and philosophy, and you have a book series that touches on practically every fantasy sub-genre there is.
The books garnered enough claim in Russia to inspire a movie that smashed all sorts of nation-wide box office records. In 2004 the movie was subtitled for an English audience (with awesomely engaging text, I might add – lots of interesting after-effects and interplay with the on-screen action). It was pretty well received, though it never saw more than a limited release in independent theaters. The film did well enough to secure the US-release of the second movie, Day Watch, which also gained the attention of Fox Searchlight. Good old Fox secured the rights to the 3rd movie and promptly ditched most of the original cast and ran the project into the ground.
Luckily, the movies did well enough to inspire Miramax to pick up the novels, translate, and publish them in the US. I loved the movies for their somewhat bizarre, abrasive, but engaging approach to dark fantasy, and I especially loved their take on magic. As such, when I saw the books on the shelves I picked them up right away. I never got around to writing full reviews for any of the books in the series, but I figured that I should at least highlight them in this blog as I finished up the final installment.
I really can’t say enough good about the Night Watch books – they are an incredibly fresh breath of air amidst all of the ho-hum, been-there-done-that fantasy on the market these days. They make me wish that the US saw more foreign translations, because it’s just a marvelous experience. The premise of the series at first glance seems a little “comic bookish” (not to disparage any of the excellent graphic novels out there) but the deep characterizations and human aspects of the main characters, as well as the keen examination of “good” and “bad” really elevates the whole shebang to a higher level. For all their depth the books still read incredibly quickly, but manage to be both emotionally engaging and have a dash of self-aware humor that keeps it interesting. All four books are great, but I will say that Last Watch was the strongest, and finished off the series on a high note for me.
Well, this has gotten longer than I expected, so I’ll wrap it up. Procure these books. Read them all in a long weekend. They’re so very worth it, and a great change from the established fantasy norm in the US. Also, if you happen to read them without seeing the movies first, I’d love to hear your feedback, as I’m not sure how much my prior exposure to the films influenced my opinions. Happy reading!
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