JD's Take: The Lies of Locke Lamora (Scott Lynch)

Dane Cook says that there are two things guys want more than sex: to be in a heist, and a monkey. He's a comedian, ergo he jokes, but I think he's on to something here. That something is the inherent goodness of a good heist. A caper. A con. A scheme cleverly implemented to bilk some poor sap with too much money out of a large portion of that money. I don't even need to list for you the movies that have been made based on how Good a fine caper is, or the tremendous amount of literature dedicated to depicting ever more clever schemes. You know these things because you realize on a deep level that heisting is Awesome.

You see where I'm going with this? Scott Lynch did the unthinkable with The Lies of Locke Lamora. He wrote a con game novel in a fantasy setting. Probably this has been done before. But there are a number of reasons why this time it actually matters. I will list them, list wise, thusly:
1) He doesn't just use the fantasy setting as a backdrop. The characters are involved with it, it is independently interesting (though not, I admit, groundbreaking) and well developed. It has unique features that play into the story, magic that actually effects the plot, and even decent politics. The religion is also fucking sweet. I approve.

2) Proficient and prolific cussing. The characters cuss like drunken sailors on leave. Or, to put it another way, like normal human beings would in the same situations.

3) Clever writing, complete with >1 actual, truly, surprising moment. I'm not talking, "if I blinded myself to the obvious in an effort to go along with things I'd be surprised by that!". I'm talking, holy-shit-i-can't-believe-that-shit surprises. Maybe I'm just dense, but everybody else seemed to react the same way, so maybe not. Kudos Mr. Lynch.

4) The reader does not have his intelligence doubted. Many authors, when writing a clever twist down, seem to chuckle to themselves, saying: "mwahahaha. My readers will never see THIS coming" and then wait for the (*yawn*) clever reveal in another 100 pages. Mr. Lynch understands that readers are clever monkeys, and can see through the ruses of his characters. Consequently, he doesn't hold off just telling us the truth. Looking back, this may be a clever trick to catch us off guard for the aforementioned surprises.

So we have on our hands a well written, fun, exciting, suspenseful, clever fantasy novel with an interesting world, fascinating characters who cuss a lot, and a writer capable of surprising me. AND it's a book about an elaborate and clever con game to bilk a rich politico out of his money. AND it's written to an intelligent audience, while still managing to surprise.

So why do I look so glum?

I have to wait until March-ish for the sequel. The good news is that the publisher seems to have some idea what a find it has in Scott Lynch and has him scheduled for a grueling schedule of books, novelettes, and short stories. He's signed up for, I dunno, seven more books or so. This Will Not Suck. Ooh! He's also young, I'd say 25ish, which means many more book-rearing years in him yet.

I wonder if he knows about the monkeys?

Lisa's Take: Magic Study (Maria V. Snyder)

There’s not a whole lot to this book, so it gets just a quickie.

You know Mercedes Lackey? Think that, but a little better, with more enjoyable characters, slightly adult-ier themes, and no goddamn telepathic animals.

Again, this is the second book in a series (what is up with me and that?) and the general idea is that our Heroine returns to her country of birth to learn how to control the magic inherent to her family line. She misses home, stuff happens, she helps people out and starts to come to grips with her heritage. Yay.

Aaaand that’s about it. It’s a good book, and entertaining. Not quite as original and engaging as the first, but still tasty, and easily consumable in just a few hours.

General thumbs-upness.

Lisa's Take: Time Dancers - The Meq vol. 2 (Steve Cash)

So about a year ago I picked up the first book of The Meq and was fairly entranced. Ate through the whole thing in a few days. The premise is fairly simple: there is a race of people called Meq, who when they reach 12 years old, stop aging physically. They can stay forever 12 years old until they meet their one pre-destined true love (a love who could have been waiting thousands of years) at which point they can continue waiting or their can “cross over” and mature, in order to continue the Meq bloodline. In about a hundred years there is to be a ceremony of great importance – but none of the Meq really know what it is or what it signifies or what happens – just that it’s very pivotal.

The main character is Zianno (Z for short) who learns of his Meq heritage when his parents die. We follow Z as he figured out what it means to be Meq and slowly is initiated into the very small Meq society, meeting other Meq, learning about Meq-friendly contacts, and assimilating their customs. It takes place over a 40-or-so year period from the late 1800s through the 19-teens. The story is continued in book two, where Z and Co. travel the world looking for keys and tools and information pertaining to Aforementioned Ceremony, as well as battling a renegade Meq assassin. The second book ranges from where the first left off up until World War II.

What makes these books nifty? In general they have pretty solid, engaging, well rounded characters. Moreover, you get an interesting take on world events and different countries at various points through the last couple hundred of years. The first book really was great – I was quite entertained and emotionally invested. The second book though? A little less so. Don’t get me wrong, it was still pretty good and a pleasure to eat through (again with the finishing quickly) but I felt like the author was so caught up in his cool idea that he let characters and emotional ties fall by the wayside. Quite sad. Luckily, as there’s still one book to go (I believe this is to be a trilogy), Mr. Cash has the opportunity to redeem himself!

The last word? I’d say give these a read if you need a break from more serious stuff. They’re definitely candy, and while the second book is less-good than the first, they still average out to a fairly high rating. I’d give them a 7.5 out of 10, I think.

JD's Take: Vlad Taltos Series (Steven Brust)

Allow to preface this "review" by saying that this ongoing series of novels are some of my absolute favorite fantasy books. Ergo, I won't even pretend to be objective or fairhanded. Furthermore, there are around 10 of them out so far (with a grand total of 19 planned) so rather than give a full review of each of them (how many times can I say "this book rocks ass. Read it right now" before it loses its charm?) I'm going to post a mini review of each. Furthermore, it's been a little while since I read them and I have forgotten most everything that takes place in them (in fact, my poor memory about this series is one of the major reasons I wanted a blog like this one) so I am rereading the entire series. This time, I am reading it in the approximate chronological order of the stories (no mean feat, Brust plays fast and loose with time) rather than the accepted publication order or my original ass-random order.

So. Let me start with a meta-review of the series. These books take place in a land called Dragaerea, and follow the antics of an assassin named Vlad Taltos (pronounced Tal-Tosh). Dragarea is inhabited primarily by Dragaereans (though they call themselves human), who are significantly taller than humans (7-8 feet), have pointed ears, no facial hair, and don't get fat. If they sound a lot like fairies, you aren't alone. Vlad is not a Dragaerean, he is an Easterner (read: human) who grew up in the Dragaerean Empire. The Empire consists of 17 houses each of which takes the name of an animal (dragon, dzur, jhereg, yendi, etc) and each house does its best to live up to a certain ideal, usually based around the animal. For instance, dzurs are suicidally brave and don't consider a fight fair unless it is them against an army. Each house takes turns controlling the empire in a fixed cycle. Vlad belongs to the house of Jhereg (his father bought the title of baronet), a group very much akin to the real-world mafia. He starts as an enforcer, and when the stories begin he is an established assasin.

Enough background. How about the actual writing? Almost every book is told in a different way, but some things hold fairly constant. Brust is a witty bastard, and it shows in these books. You'll be chuckling through most of the books, so avoid reading them at funerals. The stories read fast, fun, and entertaining throughout the series, and while the content shifts pretty dramatically about half way through, I've thoroughly enjoyed every one. Well, except for Teckla, but that's a special case. These books rock ass, read the right now.

Readers Note: Brust recommends reading the books in publication order, I am deliberatly reading them chronologically out of spite. I'll list the year-of-publication with each book-entry.

Readers Note: These entries will contain spoilers, and are primarily to job my memory at a later date. I wouldn't recommend reading them unless you have read the books. Which you should do. Right now. They rock ass.

Taltos (1988)

Yendi (1984)

Dragon (1998)

JD's Take: In the Company of Ogres (A. Lee Martinez)

So you're done reading Pratchett, Aspirin kinda sucks, and Adams is rather unlikely to publish another book. Life is looking pretty grim for fans of sci-fi/fantasy with a sense of humor. What's a reader to do? Clearly, pick up one of the random new authors trying to make a name for themselves in the subgenre. I chose Martinez because I saw that he had two books on the shelf (the other being "Gil's All Fright Diner") and that implied at least marginal success.

Ogres follows the not-so-accurately named Never-Dead Ned as he reluctantly takes command of the infamous Ogre Company (a part of the world's largest mercenary army, Brute's Legion). Never-Permanently-Dead Ned would be more accurate, but alas, doesn't roll off the tongue nearly so well. Anway, hijinx ensue and frankly, I laughed my ass off. Clever writing combined with an interesting story and characters made this book fly by. It is pure candy, and not the Everlasting variety, more like cotton candy or something. You'll get to end without realizing you were even eating it, and be left with a sweet taste in your mouth for the rest of the day.

Martinez is no Pratchett, but neither was Pratchett for his first few books. It is clear that the big P in particular influenced his writing style, and that sure doesn't suck. Although he occasionally reused a joke or two, and there were times when a slightly different delivery would have perhaps has greater impact, but the prose flows so smoothly that you hardly notice such things. So smoothly, in fact, that putting the book down at the end of chapters was a serious challenge.

The world he created is interesting, and he introduced plenty of other aspects that could be fleshed into full stories. I hope he does. Keep an eye on this guy, he has the makings of a very funny author worth following, and he's not even British.

Lisa’s Take : The Warrior Prophet (R. Scott Bakker)

This book marks the second installment of Bakker’s The Prince of Nothing trilogy (which JD reviewed a while back). I’ll not repeat a plot summary this time around.

Let me start by saying that I’ve given this series a lot more tolerance than pretty much anything else I’ve ever read, at least in the last 4 or 5 years. The first book was just painful… Bakker’s got this world of his all planned out in his head, but he insists on having a zillion complicated, confusing and baffling names, places, languages and people thrown around all over the place. It’s not like he gives you a good way to remember it all either – I got to the point where when I read a proper noun I would just shorten it to 6 of the GodKnowsHowMany characters in a desperate bid to keep it in my head.

But!

It was sworn up and down to me by Many that if you could just get over his crap naming problem, that the book was really good. So I spent 400 pages of the first book clawing my way reluctantly through… and sure enough, the last 150 pages or so went by smooth as silk and were absolutely engaging. He really does have some fantastic characters and a good story line – the idea of the Dunyain is about the coolest thing ever. You just kind of have to ignore a lot of the names and people and focus on the important bits.

So after I finished the first book I took a break to read some candy and get myself reset from the arduous process of finishing book 1. But loathe to give myself too much time to forget, I started in on the second book a couple of weeks later, crossing my fingers that it would go by as smoothly as the end of the first.

It didn’t.

There was no point at which the book just “read itself” so to speak – I literally spent the entire time fighting to digest it. It’s really frustrating, because I’m very engaged by Bakker’s 5 or 6 main characters, but all the crap he’s got going on around it (especially the epic battles which he pretty much does the worst job EVER of depicting) ruins everything.

Sigh.

The bottom line? Only pick this one up if you’re very determined or very good at filtering out unnecessary information. I’m debating finishing off the third book because I really do want to know what happens to Akka, Khellus and Esminet… but the idea of having to drag my way word by word through another 600 pages is both frustrating and daunting. I’m a very disappointed girl.

Lisa's Take: The Khaavrian Romances

What makes a book jump out above all others? What makes you long for characters months after you’ve finished a series? Is it even fair to write a review of a book that you love such a ridiculous amount?

I’ll admit, I’m a big Brust-fan. I’ve enjoyed just about everything I’ve read by him (which is rather a lot of books… somewhere in the 16 or 18 range that I’ve finished, I think?) and I especially enjoy his Vlad Taltos Series. That’s an entirely different review though, and one that I’ll share the honors with JD on. But regardless of my predisposition, the five books of the Khaavrian Romances (The Phoenix Guards, Five Hundred Years After, and The Viscount of Adrilankha (Paths of the Dead, Lord of Castle Black and Sethra Lavode)) are simply amongst the most wonderful works of fiction I’ve ever consumed.

The story, you ask? The story follows four friends – Khaavren, Pel, Tazendra and Aerich – as they meet, join The Phoenix Guards, solve a mystery, protect the emperor, see the downfall of a city and help bring the empire back to life. All in a day’s work and all of that. Screw the story though; it’s fantastic and interesting, but that’s not what makes the books so wonderful. Characters and Prose, my friends, Characters and Prose are what does it.

You just don’t know what amazing prose is until you’ve read these books. The style of speech (which takes a bit to get the flow of – bear with it) sweeps you up and engages you completely – and will have you speaking the same way for months afterwards. Brust embraces and enhances a Dumas-ian prose-style and gives it a knife’s edge twist to make it infectious and amazing. Wit has never been so well done. Merely speaking of it cannot possibly do it justice, but once you’ve read it you will understand.

Characters, you wonder? The Horse! I’ve been wishing to speak of nothing else for an hour! (Sorry, I went back to prose there for a moment, forgive me please.) I’ll admit, books have made me cry before. Not often, but every once in a while (*cough*Martin*cough*) one will get me. The Khaavrian Romances made me sob, I cared about the characters so much. Brust just creates the most amazing, believable, solid…. possessing characters. Every word and action is perfect for that character, every look and movement and shrug. They keep you spellbound, and when the books ended I longed to be close to them again. I literally miss the characters with a pain in my chest sometimes.

So there you have it – now you know exactly what makes the best books in the world the best *wink* Certainly they won’t be everyone’s favorite, but they should definitely be a staple of the Fantasy Connoisseur’s diet. Brust just made the New York Time’s Bestseller list for the first time, so he might be getting wider recognition in the years to come, but in the mean time I’ll do my best to initiate everyone I possibly can to his amazingness.

Lisa’s Take: Eastern Standard Tribe (Cory Doctrow)

That was fun!

Um… what else is there to say? I feel like if I give a plot summary of this little gem I’ll practically be transcribing the whole (very short) book. You know you’ve been reading too much fantasy when a 200 page book is “ridiculously short.” I seriously sat down and consumed this one in a couple of hours – and enjoyed it thoroughly, at that.

Eastern Standard Tribe is set in the not-so-far-off-future when everyone has omnipresent handhelds and online communities have split themselves both by interest and time zone – leading tribe members around the world to have rather broken sleep schedules. Erm. Hijinks ensue! You know, Business, Technology, Sex, User Interface Design, Betrayal… the usual.

This little morsel has a very entertaining and what seems to me to be a very plausible view of the next 10 years. Also witty dialog, a fun story, and the (best + shortest) chapter ever to exist in a book. Pick it up, suck it down in an evening, and be entertained.

End of Line.

JD's Take: Pandora's Star (Peter F. Hamilton)

It's fairly unusual that I get really into a peice of pure science fiction. Historically, Peter F. Hamilton has been one of the few sci-fi authors that can really suck me in. Pandora's Star was absolutely no exception.

Back of the book summery: Humanity discovers a potentially hostile alien race. Coping ensues. With wormholes.

So what makes this book different from the hundreds of other sci-fi books that fill the shelves of your local Barnes & Noble? First of all, Hamilton is a fantastic world builder. The world of Pandora's Star (which is very different from his earlier work. It is a much nearer future with very different technology) will entrance you. The technology progression is believable, and forms the framework for a fascinating political situation rife with powerful families vying for power, terrorist groups fighting for the good of humanity, and governments in the pockets of shadowy powers (or are they?).

But again, good world building is hardly unique in the world of sci-fi. What really sets Hamilton apart from the pack is his deftness in creating interesting, believable characters. I can't think of any characters in Pandora's Star, no matter how minor a role they play, that didn't make me want to read more about them. The characters feel how real people feel, are rational like real people, and interact like real people. The political drama doesn't focus on personality conflict, the players are too professional for that. Instead Hamilton manages to make the balancing of agendas, the give and take of people trying to turn a bad situation to their advantage while simultaneously genuinely striving to fix the problem into a page-turning read. He even manages to get inside the minds of a completely alien race, a strange and baffling way of thinking and making it seem... justifiable. Not right, not good, but you understand where it's coming from. Though their methods seem baffling at first, Hamilton doesn't neglect to ensure that even the Big Bad has real motivation.

The last thing that sets the book apart is the lack of Star Trek plot devices. The warp cores don't explode, and if they did, I imagine the engineers who built the boat had redundant systems and spare parts. When the final solution comes around, I can pretty much guarentee that the answer will have nothing to do with the technology or the time that the story is told with.

Pandora's Star is the first in a series. Knowing Hamilton, there will be plenty of pages between here and the end, and that's okay with me. I'm writing this a couple months after I finished the book and while I sit here I find myself wondering what faction X is getting up to, or how Hamilton will decide to use Entity Y. For a guy who can hardly rarely remember the main character's name a week after putting novel down, that isn't unimpressive. Not unlike reading the first Song of Ice & Fire book, I find myself wishing more of my friends had read the book, because I am interested to hear what theories they came up with. So what are you waiting for?

[details: Pandora's Star by Peter F. Hamilton, pb]

Lisa's Take: Perdido Street Station (China Mieville)

While we're on the topic of Portly Protagonists, let's talk a little about Isaac. Isaac is a tubby, middle aged, generally brilliant Jack-Of-All-Trades (not to be confused with Jack Half a Prayer) scientist. Did you follow all that? If not, don’t worry – the prose in China Mieville’s Perdido Street Station will more than make up for it. Seriously, go read it right this minute. Shake your head at the early bewilderment – because you will be bewildered, beguiled and bewitched, but it’s worth it.

My apologies; my enthusiasm over this book as quickly derailed me – let me start again. Isaac is a scientist in the fantastical city of New Crobuzon. Estranged from his University companions he dabbles in any interesting subject that comes his way: Vodyanoi watercraft, Garuda flight mechanics, and his own area of focus: Crisis energy. Perdido Street Station follows Isaac and his companions as an experiment grown out of proportion threatens to destroy the populace of New Crobuzon.

How does one characterize a novel as diverse as this? Mieville’s work spans more genres than any description can adequately do justice, but I suppose you can come close by calling it Sci-Fan-Hor. Oh, or maybe Fan-Sci-Horror, so it sort of sounds like Fancy Horror. Yeah, I like that. Mix in a little mystery and some serious suspense, and you have one of the most well crafted novels I’ve ever read. Mieville doesn’t explain things to you – he doesn’t need to. His way with words is such that the sentences spill straight from the page into your imagination and create the most vivid races, places and faces that you’ve never seen before. It will take a little practice – even I will admit that the first 30 or so pages left my head reeling – but once you let yourself sink into it, you’ll never look back.

When’s the best time to read this book, you ask? Well, not when you’re home alone in the dark, I’d say. I would suggest using it to take a break from your regularly scheduled diet of epic fantasy. It’s really damn refreshing to read something that is not only new, but also a single, happy, 500 page story with no loose ends. It doesn’t go on and on and on like some authors we know – you read it, it’s amazing, and you’re done with it; one nice, happy (or not), complete story.

Could there possibly be anything bad about Perdido Street Station? It’s hard for me to say anything bad about Mieville in general, but I’ll knit pick a bit so I sound like I’m not too star-struck. Other than the bit of time it takes to get acclimated to the prose, I wish I had felt a slightly stronger connection to Isaac as a main character. Don’t get me wrong – I ached for him at the right times, was excited at the right times… I just felt like I could have hurt a little more, maybe even cried just a bit. Just a teensy tiny bit more emotion would have done it.

There, see how fair and balanced I am?

Now go consume it. This minute.

JD's Take: Prince of Nothing series (R. Scott Bakker)

R. Scott Bakker wrote an entire epic fantasy trilogy in three years. If for no better reason, the man is a saint. This simple fact alone guarentees that the next time I see his name on a spine I'll be picking the book up, rather than waiting for it to re-catch my eye in paperback 7 years down the line when I see that book three has finally been released. Obviously then, I enjoyed it. To be sure, there were flaws to the series. The first and by far the most important problem with the books is that the sheer impenetrable volume of names, places, and characters introduced is overwhelming. Now you've read epic fantasy. You see that sentence and scoff. Scoff! But believe me when I say that this is a word-gap beyond any you can imagine. If you can suffer through the first 100-200 pages, completely bewildered (and I know at least one brave man who couldn't), you will come out the other side in a zen state. A trance in which names simply pass over you and through you, and where the names have gone, only plot will remain.

Once you reach this state, you are in for a very rewarding read. The story follows the unlikely character of Drusas Achamian, or Akka to his friends. He's an overweight spy, a powerful sorcerer, and a guilt-ridden mess. He's believable, flawed, and his goals are generally small and human and understandable. Early in the first book he gets mixed up with a holy war that serves as the backdrop and vehicle for the rest of the series. Like any epic fantasy, there are plenty of other characters that are interesting, important, and (mostly) believable. Because of the nature of the story, motivation becomes an essential plot point, and so Bakker does a great job creating believable characters with honest motivations and engaging personalities. I approve.

As the second and third books progress, the story gets bigger, the battles keep coming, the trials get harder. If you read epic fantasy for fantastic fight scenes you won't be disapointed, there are some truly fantastic battles in here. However, as Lisa pointed out to me, Bakker doesn't do a great job of making each faction, each leader, stand out. Though they all have unique customs and attitudes, it never really gelled in my mind which one was which. When leaders fall in battle, I have a hard time remembering which one he was, and which faction he supported. If this was the story of the holy war, and the people who fought it, this would be a serious flaw. But it isn't. This is the story of a handful of men and women who are stuggling to make sense of their lives, resolve their emotional baggage, and survive the trials they face. The war, in all its furious glory, is nothing more than the setting for that struggle.

My final comment is that the ending was... unsatisfying. Much was left unanswered, or allowed to resolve off-screen. I think that this was intentional. The feelings evoked by ending where he did, by leaving things unsaid and non-final were consistant with the mood of the final chapter. When I put down the last book, I was left feeling much as Drusas must have. I recognize the motivation behind this, but there is also something to be said for wrapping up all the loose ends and letting the reader put the book behind him.

On the whole, I wouldn't say this is a "must-read", and it is certainly a challenging read (at least to get started), but on the whole I think you will find a rewarding, well-paced, well-conceived work of fiction that doesn't feel nearly so epic as it looks.

[details: This review is written on The Darkness That Comes Before, The Warrior Prophet, and The Thousandfold Thought, by R. Scott Bakker, all in HB]

Post the first.

Welcome to Seven Foot Shelves. This is a literary blog created by a couple of geeks who can't keep track of what they have read, whether it was any good, and who they have lent the book to anyway. Reviews will generally be short, recommendation-type write ups with as few spoilers as we can manage. Probably only as bad as reading the back. Which is a topic for a future post rant.